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The original director of The Naked Gun, David Zucker, has reignited his criticism concerning the recent reboot featuring Liam Neeson, following a short period where he seemed to soften his stance in the aftermath of the film's cinema debut.

Zucker's Critique of the Reboot's Comedy Approach

In a recent interview, Zucker expressed that Seth MacFarlane, the creative force behind the new Naked Gun and formerly the filmmaker and script collaborator of the Ted movies, "totally missed" the parody genre approach that Zucker, along with his partners Jerry Zucker and Jim Abrahams, made famous in Airplane! and the three original Naked Gun films.

"My brother, Jerry, and our partner, Jim Abrahams, began creating spoof comedies five decades in the past, and we originated our own style – and we executed it so effectively that it looks easy, clearly. People started copying it, like Seth MacFarlane for the recent reboot. He completely misunderstood it."

Zucker continued: "It might appear that we're just throwing stuff up against the wall to see what sticks, but we're not. There's thought behind it."

The Irreplaceable Star

The director further stated that it was futile to make the movie without Leslie Nielsen, who played Frank Drebin and passed away in 2010, saying: "They attempted to substitute Leslie Nielsen in the new Naked Gun, and you can't replace him. No one else can do that."

Earlier Objections and Changing Stance

Zucker had previously objected to the decision to proceed with a Naked Gun reboot, saying in 2024 that he was "not enthusiastic regarding having the series handed over to different individuals". Adding: "They have not contacted me to appear briefly or be involved in the writing. Regardless of if they're going to do a good job with it, this kind of spoof, I mean it isn't overly complex, but it's not easy."

Nonetheless, after a string of positive reviews and impressive financial performance after its release in August, Zucker struck a more conciliatory tone, saying: "I'm excited about it because it just shows that there's a strong market for comedy in cinemas, and spoof in particular."

Return to Criticism Over Financial Aspects

Yet, Zucker resumed his criticism in the recent discussion, criticising the amount of money involved. "Big budgets and comedy are opposites, and in the recent reboot, you could see that they spent a lot of money on scenes full of technical pizzazz while trying to copy our style."

He added: "Everybody's in it for the money now, and that seems to be the sole motivation why they wanted to do a new Naked Gun."